{"id":26116,"date":"2026-03-04T15:15:35","date_gmt":"2026-03-04T18:15:35","guid":{"rendered":"https:\/\/revistaplot.com\/?p=26116"},"modified":"2026-06-05T20:09:48","modified_gmt":"2026-06-05T20:09:48","slug":"cine-renoir","status":"publish","type":"post","link":"https:\/\/curiosistas.com\/en\/cine-renoir\/","title":{"rendered":"Cine Renoir en Roanne"},"content":{"rendered":"
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Fotograf\u00eda Salem Mostefaoui\n<\/figcaption>\n\t\t<\/figure>\n\t<\/div>\n<\/div><\/div><\/div><\/div>
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The Renoir Cinema occupies a prominent place in the cultural life of Roanne, a small city of forty thousand inhabitants located in the Loire department. Founded in the 1950s as an independent cinema, it has been managed by the Cin\u00e9 Rivage association since 1988. With two screening rooms seating three hundred and one hundred and thirty seats, it is the city's only art-house cinema and one of its few independent cultural spaces.<\/span><\/p>\n

In 2019, faced with increasing competition from digital platforms and a declining audience, Cin\u00e9 Rivage acquired the commercial space adjacent to the cinema lobby. The goal was to improve the reception area, expand the cultural offerings, and refresh the establishment's public image. Through a competition that concluded at the end of 2021, the REMAKE studio was selected to carry out the renovation project.<\/span><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

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Fotograf\u00eda Salem Mostefaoui\n<\/figcaption>\n\t\t<\/figure>\n\t<\/div>\n<\/div><\/div><\/div>
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Fotograf\u00eda Salem Mostefaoui\n<\/figcaption>\n\t\t<\/figure>\n\t<\/div>\n<\/div><\/div><\/div><\/div>
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Built in 1969, the building evokes the aesthetic of early sound cinemas. Its occupation of the western triangle of the plot\u2014extremely acute, with an angle of 14 degrees\u2014results in very narrow interior spaces. On the upper floors, two apartments with a single orientation occupy the floor plan, with depths ranging from 0.8 to 4.7 meters.<\/span><\/p>\n

Why build on such a narrow plot within a low-density urban environment? The investigation reveals that both the prow-shaped building and the volume that now houses the entrance were erected by the same owner\u2014the cinema owner\u2014after the opening of Rue Jean Puy. His sole purpose was to create a facade for the cinema, with signage visible from two key public spaces.<\/span><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

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Fotograf\u00eda Salem Mostefaoui\n<\/figcaption>\n\t\t<\/figure>\n\t<\/div>\n<\/div><\/div><\/div>
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Fotograf\u00eda Salem Mostefaoui\n<\/figcaption>\n\t\t<\/figure>\n\t<\/div>\n<\/div><\/div><\/div><\/div>
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The project seeks to restore a narrative that never fully materialized: to give the cinema the facade it was originally intended to have. To achieve this, it was necessary to create continuity between the column supporting the cinema sign and its entrance, a route previously interrupted by two blocked windows, the residential staircase, and the caf\u00e9.<\/span><\/p>\n

The program design for the new space was deliberately open, and the interior was kept as flexible as possible. The fa\u00e7ade, suspended from the concrete structure, introduces no load-bearing support points on the already fitted-out ground floor. Thus, the renovated space can accommodate a variety of uses: a caf\u00e9, headphone screenings, editing workshops, debates, concerts, parties, and more.<\/span><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

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Fotograf\u00eda Salem Mostefaoui\n<\/figcaption>\n\t\t<\/figure>\n\t<\/div>\n<\/div><\/div><\/div>
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Fotograf\u00eda Salem Mostefaoui\n<\/figcaption>\n\t\t<\/figure>\n\t<\/div>\n<\/div><\/div><\/div><\/div>
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The project seeks to intertwine the intervention on the existing building with the expression of the cinema's renovation. The new, highly transparent fa\u00e7ade reveals the continuity of the concrete structure from the street while simultaneously asserting its own distinct identity.<\/span><\/p>\n

A construction budget calculated solely on the surface area of the former caf\u00e9 quickly led to a radical cost-cutting strategy. Lightweight devices, such as curtains and metal screens, allowed the project's scope to be expanded without additional cost. Much of the existing surfaces were preserved, with all their marks and signs of use.<\/span><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

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Fotograf\u00eda Salem Mostefaoui\n<\/figcaption>\n\t\t<\/figure>\n\t<\/div>\n<\/div><\/div><\/div>
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Fotograf\u00eda Salem Mostefaoui\n<\/figcaption>\n\t\t<\/figure>\n\t<\/div>\n<\/div><\/div><\/div><\/div>
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The reuse of existing elements became the driving force of the project. The wood from an old mezzanine was sorted, planed, reassembled, and reinstalled, forming two-thirds of the new facade's timber structure. The plywood panels that previously covered the cinema's corridor were removed and reused to make furniture and signage.<\/span><\/p>\n

To address the uncertainty surrounding future uses of the space, the ground floor allows for the reconfiguration of all furniture and signage elements.<\/span><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

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Maqueta del proyecto<\/figcaption>\n\t\t<\/figure>\n\t<\/div>\n<\/div><\/div><\/div><\/div>
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The decision to minimize the use of high-carbon-footprint materials led to a hybrid construction approach. The timber structures are clad with a thin layer of steel and glass, providing the necessary robustness for an envelope in direct contact with the public space and the elements. A simple system of stainless steel clamps secures the glass panels to the timber frame.<\/span><\/p>\n

The new fa\u00e7ade functions as a passive thermal system to ventilate this south-facing, single-aspect space. In winter, the transparent glazing allows for solar gain. In summer, an exterior sunshade protects the former caf\u00e9 area. In front of the offices, the sunshade shifts within a double-skin configuration, activating the chimney effect necessary to evacuate hot air.<\/span><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

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