{"id":226937,"date":"2026-05-14T12:48:26","date_gmt":"2026-05-14T15:48:26","guid":{"rendered":"https:\/\/curiosistas.com\/?p=26937"},"modified":"2026-06-05T19:58:57","modified_gmt":"2026-06-05T19:58:57","slug":"barge-crescent","status":"publish","type":"post","link":"https:\/\/curiosistas.com\/en\/barge-crescent\/","title":{"rendered":"Barge Crescent"},"content":{"rendered":"
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Fotograf\u00eda Rory Gaylor<\/figcaption>\n\t\t<\/figure>\n\t<\/div>\n<\/div><\/div><\/div><\/div>
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The new office building, near the Oxo Tower on London's south bank, replaces a row of similar three-story buildings constructed in the early 1990s. Hermetically sealed and highly mechanized, with equipment occupying an entire floor, they proved extremely inefficient. An initial feasibility study concluded they were not adaptable.<\/span><\/p>\n

However, even though repurposing was not possible, the goal was to reduce the new carbon emissions from the new building.<\/span><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

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Fotograf\u00eda Johan Dehlin<\/figcaption>\n\t\t<\/figure>\n\t<\/div>\n<\/div><\/div><\/div>
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Fotograf\u00eda Johan Dehlin<\/figcaption>\n\t\t<\/figure>\n\t<\/div>\n<\/div><\/div><\/div><\/div>
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As a result, the project reuses the existing substructure from the 1990s. The design optimizes sunlight and incorporates natural ventilation through a hybrid solution, reducing energy consumption and enhancing the natural environment. Alongside these technical requirements, other considerations arose related to civic design, architectural language, and habitability.<\/span><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

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Fotograf\u00eda Johan Dehlin<\/figcaption>\n\t\t<\/figure>\n\t<\/div>\n<\/div><\/div><\/div>
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Fotograf\u00eda Rory Gaylor<\/figcaption>\n\t\t<\/figure>\n\t<\/div>\n<\/div><\/div><\/div><\/div>
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The architectural language and atmosphere of the building are articulated around four objectives: the reuse of the substructure, the entry of natural light, cross ventilation and accessibility to the exterior spaces.<\/span><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

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Fotograf\u00eda Rory Gaylor<\/figcaption>\n\t\t<\/figure>\n\t<\/div>\n<\/div><\/div><\/div><\/div>
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The new building is reoriented towards the adjacent park and the nearby River Thames. There, a loggia marks the entrance, and on the three upper levels, it offers a series of communal outdoor spaces for its users. The facades are composed of fine terracotta elements set upon a robust base of cast-in-place and precast concrete. Large windows<\/span>picture window<\/span><\/i>With yellow frames and slats, they allow both natural light and cross ventilation.<\/span><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

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Fotograf\u00eda Rory Gaylor<\/figcaption>\n\t\t<\/figure>\n\t<\/div>\n<\/div><\/div><\/div><\/div>
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Each facade, although part of a family of elevations, responds to different environmental criteria according to its orientation; each one literally responds to the patterns of the substructure; while establishing visual relationships between the interior and the exterior.<\/span><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

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Fotograf\u00eda Johan Dehlin<\/figcaption>\n\t\t<\/figure>\n\t<\/div>\n<\/div><\/div><\/div>
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Fotograf\u00eda Rory Gaylor<\/figcaption>\n\t\t<\/figure>\n\t<\/div>\n<\/div><\/div><\/div><\/div>
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Inside, the reception area is translucent on three sides. The space is furnished with several pieces of Douglas fir\u2014a screen, a bench, and the reception desk\u2014set on a terrazzo floor. The lobby extends along Upper Ground Street to the base of a precast concrete staircase, located within the Douglas fir-paneled walls of the west core, which are illuminated by skylights.<\/span><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

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Fotograf\u00eda Johan Dehlin<\/figcaption>\n\t\t<\/figure>\n\t<\/div>\n<\/div><\/div><\/div><\/div>
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The building's geometry, largely inherited, allows for spacious, unsupported floor plans, generous interior heights, and unobstructed ceilings (free from building services), while also creating rhythms of light and shadow within the interior. The top floor, constructed of wood, opens onto the roof gardens, offering expansive views of Barge House and Upper Ground streets. It resembles a temple, with its loggia facing a public park.<\/span><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

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Fotograf\u00eda Johan Dehlin<\/figcaption>\n\t\t<\/figure>\n\t<\/div>\n<\/div><\/div><\/div><\/div>
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Fotograf\u00eda Johan Dehlin<\/figcaption>\n\t\t<\/figure>\n\t<\/div>\n<\/div><\/div><\/div><\/div>
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Architecture is a practical art. Here, the aim is to create suitable, enduring, and open architecture: sustainable, fully accessible, flexible, and adaptable, generating comfortable offices in an urban and historic setting near the River Thames.<\/span><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

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